Star Trek Into Darkness (2013)

A good portion of Trekkies (or Trekkers, depending on one's level of Star Trek obsession) have special affection for episodes of the original TV series that related to Earth and other-Earth cultures visited by the crew of the Enterprise, version 1.0. Some of the shows unfolded in distorted forms of the past, some in the present day of Star Trek's future reality. Director J.J. Abrams recognized the importance of this relationship in his origin-story reboot of the franchise in 2009, and in Star Trek Into Darkness he has made it an even greater touchstone to the roots of Star Trek creator Gene Roddenberry's defining philosophy from nearly 50 years ago. The human home world is key to the plot of this spectacularly bold leap into Star Trek lore, which cleverly continues along the alternate path that was established as separate from the "original" Star Trek universe in Abrams's first whiz-bang crack at advancing the mythology. But it's not just Earth that is cool and imperiled in this rendering of adventure in the 23rd century; Into Darkness also plays with the original conceit that Earthlings were member to a multi-species United Federation of Planets ruled by a "Prime Directive" of noninterference with other civilizations. The conflict comes when rogue elements in the Earth-based Starfleet Command hunger to shift focus from peaceful exploration to militarization, a concept that is anathema to the crew of the Enterprise and her ongoing mission. The new cast is again inventively reunited, each of them further investing their characters with traits that reveal novel acting choices while staying true to the caricatures that are ingrained in our popular culture. The interplay between Chris Pine as Kirk and Zachary Quinto as Spock is deeper, and Zoe Saldana as Uhura is a solid third in their relationship. John Cho (Sulu), Simon Pegg (Scotty), Anton Yelchin (Chekov), and Karl Urban (McCoy) all have standout roles in the overall ensemble mystique as well as the plot-heavy machinations of this incarnation's narrative. Fortunately, the burdens of the story are well served by some important additions to the cast. Benedict Cumberbatch's Shakespearean aura, ferociously imperious gaze, and graceful athleticism make him a formidable villain as the mysterious Starfleet operative John Harrison. Harrison has initiated a campaign of terror on Earth before leading the Enterprise to even greater dangers in the enemy territory of Klingon-controlled space. That his background may make dedicated Trekkies/Trekkers gasp is just one acknowledgment of the substantial and ingrained legacy Star Trek has borne. There are many references, nods and winks to those with deep reverence for the folklore (some of them perhaps a little too close to being inside-baseball), though the fantastical and continually exciting story stands as an expertly crafted tale for complete neophytes. Another new face is Peter Weller--iconically famous in sci-fi-dom as RoboCop--here playing a steely, authoritative Starfleet bigwig who may also be following a hidden agenda. Not only is he running a covert operation, he's also at the helm of a fearsome secret starship that looms over the Enterprise like a shark poised to devour its prey. Which brings us to the awesome CGI effects driving the dazzling visual style of Into Darkness and the endlessly fascinating cosmos it makes real. The wow factor extends from the opening set piece on an alien world of primitive humanoids, garish vegetation, and a roiling volcano to the finale of destruction in a future San Francisco that is elegantly outfitted with gleaming-spired skyscrapers and all manner of flying vehicles. (London also gets a breathtaking 23rd-century makeover). With a coolness that glistens in every immaculately composed shot, the movie never forgets that humanism and creativity make the myriad design details and hyper-technology pop out as much more than eye candy. The biggest achievement of Star Trek Into Darkness is that it hews to the highest standard of a highly celebrated tradition. Though Kirk and co. may bend it a little, the Prime Directive remains unbroken. --Ted Fry
Price: $29.99

Most Helpful Customer Reviews
OK folks first of all, this is a movie. J.J. is not trying to re-invent the wheel here. What J.J. Abrams has accomplished here is to re-imagine a burned out brand and series (that I loved as much as any true fan) and had the guts to go where no director has gone before with it. He shows his total respect for the best of the previously done films, his respect for the fans of the original films, and bravely creates a marvelous environment for the future of this series. I cannot tell you the last time I have sit in a darkened movie theater (full of fans and first timers) and had so much fun listening to the audience ooh and aah at what they were seeing and hearing from the screen. I along with them laughed, oohed, aah-ed, and even shed a tear, as this movie unfolded, and cannot remember the last time I felt so satisfied in seeing a film.

To all of the families with teens and tweens out there, Yes! this is the whole family movie experience you've been waiting for (and to be fair, there are some really intense scenes, and a four letter word uttered, but you just know the character would really say it in the heat of the moment) !!! It Is Fun! The cast is pitch perfect, the look, sound, and feel of "Into Darkness" is a joy to behold, and a loving homage to all of us who loved the original characters and films, and to those of us who just love good old fashion science fiction. It is a first class roller coaster ride and a true challenge to film makers to up the ante for audiences, if you want us to continue to shell out the movie bucks. By the way, this is a repeater for me as I will go back to see it again.

To J.J. Abrams and your entire crew, Thank You! for being so fearless, so brave to tweak and tamper with a sci-fi original, and re-remind me why I like to go to the movies. I think that Gene Roddenberry would be so proud of your take on his universe.

To the entire cast, Thank You! for being true to the original actors and characters, for giving them your spin, and making the roles your own. I have not had this much fun in a movie theater in a long, long, time, and in a galaxy far, far, away. BRAVO !!!

And to those of you that are leaving such horrid and negative comments to my review, WAKE UP!! These are MOVIES that we are talking about. I now understand why some actors comment at some point in their careers, about some fans needing to get a life. Movies are not real life changing events. They are meant for ALL of us to ENJOY (or not)for the two or three hours we sit in that theater, and maybe learn a little something (or not). Movies allow us to escape our sometimes droll and stressful lives for just a moment, to fantasize, to dream for a moment, to forget how different our lives have become. If you don't like or feel the same way about a movie as I do, I understand. But understand this, I don't try to keep people from seeing, renting, or buying a film because I don't like it, nor do I spend my time trying to drag someone else down because their opinion is different from mine.

I saw this film and I had Fun!! It took me back to the early days of Bart Sloane (The 4D Man - The Blob), Ray Harryhausen (Jason and the Argonauts), and Stanley Kubrick (2001: A Space Odyssey) when special effects were in their infancy. I felt the same way when I saw my first Steven Spielberg film (Jaws), my first Ridley Scott movie (Alien), George Lucas (Star Wars), and now J.J. Abrams. These are but a minute few of the hundreds of great filmmakers (I could go on forever)that have gone the extra mile to entertain us, to give us a break from the real world that is so full of Intolerance, Hate, Fear, Hunger, Struggle, and Disease. Give them a break guy's, they are just making movies for us to enjoy (or not).

Remember, the world will still turn tomorrow, that is unless God decides that he has had enough of us, and the way we treat each other, and decides to just shakes us off of this little blue planet that we do not respect at all.